With How to Speak Rooster, Occupant Fonts introduces its first type specimen book, which doubles as a gift for younger readers.
It’s Monday, so that means another batch of type from Bold Monday, featuring the just-released Brando Arabic, which adds yet another language to Type Network’s catalogue.
Sibylle Hagmann’s new flared sans draws inspiration from classic twentieth-century typefaces.
OpenType fonts can have up to ten built-in figure styles. This guide explains what they are, where to find them, and when to use them.
Questionable typesetting can still be beautiful, as the posters for Asher, Bitter Melon, Chef Flynn, Pimp, If Beale Street Could Talk, The Favourite, The Mule, and The Front Runner attest. This episode takes a look at some perfect imperfection.
Ramiro Espinoza’s new offerings include a rerelease, an expansion, and the beginnings of a superfamily.
The Democratic senator’s 2020 presidential bid uses typefaces from Font Bureau, The Ivy Foundry, and DJR. Let the race begin.
We finished 2018 with a shifting leadership roster. Now we’re ready to break fresh ground in the new year.
A lot of struggle surfaces in the posters for this episode. This time around, I look at art for Suspiria, The Bray Road Beast, Beoning (Burning), Can You Ever Forgive Me?, What They Had, Beautiful Boy, Private Life, and Bikini…