We finished 2018 with a shifting leadership roster. Now we’re ready to break fresh ground in the new year.
A lot of struggle surfaces in the posters for this episode. This time around, I look at art for Suspiria, The Bray Road Beast, Beoning (Burning), Can You Ever Forgive Me?, What They Had, Beautiful Boy, Private Life, and Bikini…
A lot happens with a little in the posters for A Simple Favor, Matangi/Maya/M.I.A., Assassination Nation, White Boy Rick, Monsters and Men, Call Her Ganda, Hale County This Morning, This Evening, and Hal. It’s all about space.
Petr van Blokland surprises with a chunky, funky, punchy display slab serif.
Two type families from Cyrus Highsmith spruce up their language skills.
With the poster for The Spy Who Dumped Me, we open on a lighthearted, humorous note—but the balance of this episode is rather somber, even violent, as we turn to Papillon, Searching, Active Measures, Alt-Right: Age of Rage, BlacKkKlansman, Laissez…
Jesse Ragan breathes new life into a lost hand-painted alphabet by designer and illustrator Rudolph Ruzicka.
Lipton Letter Design’s latest release is a delicately flared all-purpose type family with an astonishing typographic scope.
Surprising type designs by Pieter van Rosmalen, Paul van der Laan, and Jacques Le Bailly defy expectations.
Subsetting, long available to our Webtype customers, has always been in the cards for Type Network. Finally it’s here.