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ScreenFonts: August 2018

The temperature rises with posters for The King, Beach House, The First Purge, and Scotty and the Secret History of Hollywood. Then it reaches scorching highs with Hot Summer Nights; gradually drops with Hva vil folk si (What Will People…

ScreenFonts: July 2018 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

ScreenFonts: July 2018

Now that I’m on my way to becoming a YouTube celebrity (not), I wonder if more people will tune in to read my movie-poster reviews for Solo: A Star Wars Story, The Cleanse, Jia nian hua (Angels Wear White),…

ScreenFonts: May 2018

This episode put me in a contemplative, even slightly melancholy mood, with posters for Disobedience, The Endless, Akher ayam el madina (In the Last Days of the City), Dayu haitang (Big Fish & Begonia), Good Luck, Blumhouse’s Truth or Dare,…

Magín Díaz and Father John Misty share a Grammy for Best Recording Package

Art director and musician Yves Peters casts an eye over the nominees and winners in the design categories at the Recording Academy’s sixtieth annual awards.

Inside the fonts: optical sizes

From mouse type to elephantine heads, one size does not necessarily fit all. Whether you go big or go little, type crafted for specific sizes will give your typography the royal treatment.

ScreenFonts: May 2017

A flurry of painted art: the May episode of ScreenFonts looks at posters for Headshot, Umi Yori Mo Mada Fukaku (After The Storm), Donald Cried, Personal Shopper, God Knows Where I Am, The Blackcoat’s Daughter, Grave (Raw), Before I Fall,

Type Network heads east with CSTM Fonts

Type Network’s latest partner is CSTM Fonts, the Moscow-based foundry led by award-winning designers Ilya Ruderman and Yury Ostromentsky.