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ScreenFonts: August 2018

The temperature rises with posters for The King, Beach House, The First Purge, and Scotty and the Secret History of Hollywood. Then it reaches scorching highs with Hot Summer Nights; gradually drops with Hva vil folk si (What Will People…

ScreenFonts: April 2018 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

Magín Díaz and Father John Misty share a Grammy for Best Recording Package

Art director and musician Yves Peters casts an eye over the nominees and winners in the design categories at the Recording Academy’s sixtieth annual awards.

ScreenFonts: January 2018 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

ScreenFonts: December 2017

This episode of ScreenFonts unexpectedly turned out to resemble a blind taste test. I look at posters for My Friend Dahmer, Roman J. Israel, Esq., Mugen no jûnin (Blade of the Immortal), Along for the Ride, Thelma, Most Beautiful Island,…

ScreenFonts: August 2017

Although it’s sunny and summery outside my studio in Belgium, this episode of ScreenFonts evokes the atmosphere of colder, darker climes. Let’s start with It Comes at Night and move on to 11:55, Kill Switch, The Beguiled, Cars 3, The…