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ScreenFonts: March 2018

A supernatural beginning and a downright weird ending: this episode looks at posters for Black Hollow Cage, Nostalgia, The Female Brain, Driving While Black, Game Night, Mute, Rehepapp (November), and Are We Not Cats.

ScreenFonts: February 2018

Murder and mayhem, and some interpersonal tension: this episode looks at posters for The Strange Ones, Proud Mary, The Commuter, Small Town Crime, Inside, Dim the Fluorescents, The Neighbor, and A Ciambra.

ScreenFonts: January 2018 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

ScreenFonts: November 2017

From gritty to ethereal, beauty takes many forms. This episode of ScreenFonts features posters for mother!, Woodshock, Flatliners, Battle of the Sexes, Marshall, The Killing of a Sacred Deer, Bunker77, and Wexford Plaza.

Inside the fonts: optical sizes

From mouse type to elephantine heads, one size does not necessarily fit all. Whether you go big or go little, type crafted for specific sizes will give your typography the royal treatment.

36 Days of Type

A compelling online project inspired Type Network to dig through its extensive catalogue and look at letterforms from different angles.

TypeLovers: for those who love people and type (and not necessarily in that order)

Love is in the air with this series of quirky typographic pairings celebrating all of the good things about Valentine’s Day.

ScreenFonts: February 2017 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

ScreenFonts: February 2017

The February episode of ScreenFonts looks at posters for Hidden Figures, Monster Trucks, Royahaye dame sobh (Starless Dreams), The Sunshine Makers, Retake, The Founder, Split, The Age of Consequences, Resident Evil: The Final Chapter, Resident Evil: The Final Chapter, and…

ScreenFonts: January 2017

The premier of ScreenFonts at Type Network features (full-size!) posters for The Girl on the Train, The Birth of a Nation, The Accountant, The Lennon Report, Christine, Ah-ga-ssi (The Handmaiden), King Cobra, Boo! A Madea Halloween, and The Unspoken—and comes…

Benton Sans Wide

Benton Sans, Font Bureau’s largest type family, goes wide, to give full coverage in eight wide-ranging weights.

The Boston Globe’s brand integration across media

Bringing print typography to the screen with integrated font families.