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ScreenFonts: May 2018 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

ScreenFonts: April 2018 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

Inside the fonts: Antenna and Antenna Serif Stylistic Sets

Cyrus Highsmith’s design took a little detour during its conception. Then it blossomed into a powerful pair of coordinated sans- and slab-serif families.

Magín Díaz and Father John Misty share a Grammy for Best Recording Package

Art director and musician Yves Peters casts an eye over the nominees and winners in the design categories at the Recording Academy’s sixtieth annual awards.

ScreenFonts: January 2018

Defying legibility conventions. Shattering images. Subverting any sense of scale. Turning the world upside down. This episode looks at posters for The New Radical, The Shape of Water, Foxtrot, Kaleidoscope, Star Wars: The Last Jedi, Downsizing, The Phantom Thread, and…

Inside the fonts: optical sizes

From mouse type to elephantine heads, one size does not necessarily fit all. Whether you go big or go little, type crafted for specific sizes will give your typography the royal treatment.

ScreenFonts: June 2017

Poster galleries galore: the June episode of ScreenFonts looks at posters for LA 92, Restless Creature: Wendy Whelan, Sleight, Burden, Violet, Hounds of Love, A Dark Song, The Void, Free Fire, and Berlin Syndrome.

ScreenFonts: May 2017

A flurry of painted art: the May episode of ScreenFonts looks at posters for Headshot, Umi Yori Mo Mada Fukaku (After The Storm), Donald Cried, Personal Shopper, God Knows Where I Am, The Blackcoat’s Daughter, Grave (Raw), Before I Fall,

36 Days of Type

A compelling online project inspired Type Network to dig through its extensive catalogue and look at letterforms from different angles.

Type Network’s First Festival of Type

We celebrated the holidays with a festive gallery of banners showcasing all of our foundry partners.