A flurry of painted art: the May episode of ScreenFonts looks at posters for Headshot, Umi Yori Mo Mada Fukaku (After The Storm), Donald Cried, Personal Shopper, God Knows Where I Am, The Blackcoat’s Daughter, Grave (Raw), Before I Fall,…
Yes, TYPO Labs 2017 tackled more than just variable fonts—but the new technology maintained a constant presence in the background.
The cool Norwegian foundry brings its chill fonts to Type Network.
Josema Urós and Laura Meseguer warm the Type Network catalog with a simpatico quintet, including Harri, designed by Juan Luis Blanco, a winsome homage to the indigenous letterforms of the Basque Country.
This spacing variant contains glyphs as wide as they need to be (e.g. “m” and “M”), including their necessary spacing and kerning. The vertical metrics (accents, ascender, and descenders) is identical to the Mono variant.
The absolute 5x7 pixel grid, makes this variant candidate for usage on led-displays, where the vertical amount of pixels is limited. With the cost of some accents being reduced to a single pixel, still the full glyph set is availabe…
This variant can be used if there is vertical no limit (e.g. if the pixels are made from stickers, flower-pots or other elements) and if accents must be best readable. Basically the Mono glyphs are identical to the Grid in…
The sophomore edition of TYPO Labs was even bigger and better than the first—and jam-packed with enough stimulating content to make your head spin.
Allium, a new sans serif from Occupant Fonts, marks a change of pace
Occupant Press celebrates the release of Allium with a new print.
Sibylle Hagmann returns with a narrow riff on a quirky, good-natured serif face that stood out in 2016.