The Central Park Conservancy chooses FB Titling Gothic for its rebranding of New York City’s iconic park.
“Yes, I’d have to code, but I walked out of there feeling like I wanted to!” Print and digital come together at the SND conference in St. Louis.
Font Bureau sponsors a meetup for SND members at the 2011 ONA conference in Boston.
Black vs. white: a type designer brings her skills to the world of acrylic figurines.
In Rich Kegler’s documentary, Jim Rimmer tells how he designs and manufacturers metal typefaces.
Supplement to the Third Edition of Font Bureau’s One-Line Type Specimens.
“In its various guises, Condor can approach the elegance of Radiant, the stylishness of Peignot, or the intensity of Serpentine.”
Work and play at the offsite on Martha’s Vineyard with the people of Font Bureau.
Loupot puts in an appearance at Carnegie Hall in New York.
Dyana Weissman reviews a flawed documentary on a remarkable institution, the Hamilton Wood Type & Printing Museum.
DJR takes the thicks and thins of letters and turns them on their heads.
The Museum of Modern Art acknowledges type’s importance to the history of modern art and design.