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The Boston Globe’s brand integration across media
Bringing print typography to the screen with integrated font families.
Georgia Pro & Verdana Pro: More Widths. More Weights. More Possibilities.
Matthew Carter’s versatile and ubiquitous typefaces for reading onscreen and on paper gain new weights, a new width, OpenType layout features, and a pan-European character set.
Typeradio interview with David Berlow
Typeradio got David Berlow talking at the ATypI 2010 conference in Dublin.
Tangier & Rocky among Letter.2 winners
Typefaces by Richard Lipton and Matthew Carter are recognized in ATypI’s second type-design competition.
FB Titling Gothic: the new (type)face of Central Park
The Central Park Conservancy chooses FB Titling Gothic for its rebranding of New York City’s iconic park.
Font Bureau at SND STL
“Yes, I’d have to code, but I walked out of there feeling like I wanted to!” Print and digital come together at the SND conference in St. Louis.
FB&SND;@ONA Meetup
Font Bureau sponsors a meetup for SND members at the 2011 ONA conference in Boston.
MAD Magazine’s Spy vs. Spy 50th anniversary
Black vs. white: a type designer brings her skills to the world of acrylic figurines.
Review of “Making Faces: Metal Type in the 21st Century”
In Rich Kegler’s documentary, Jim Rimmer tells how he designs and manufacturers metal typefaces.
On press
Supplement to the Third Edition of Font Bureau’s One-Line Type Specimens.
HOW: Condor among the “Sans-sational”
“In its various guises, Condor can approach the elegance of Radiant, the stylishness of Peignot, or the intensity of Serpentine.”
Same time this year
Work and play at the offsite on Martha’s Vineyard with the people of Font Bureau.