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Tilda. A script typeface by Jessica Hische

Tilda, a script typeface with size-specific styles and extensive OpenType layout features. Tilda Petite is optimized for smaller settings, while the details and proportions of Tilda Grande shine at large sizes.

Lettering is not type

Stephen Coles gives some clear definitions for commonly abused terms: the differences between type and lettering, a typographer and a type designer, a typeface and font.

Big Caslon

An expansion of Matthew Carter’s classic display serif into a three-weight family with striking italics and a host of flavorful features. Big Caslon Brochure

Input update

Input 1.1: David Jonathan Ross’s elegant font for coding has new characters that users have asked for.

Input in use for the Feltron Annual Report

“It’s definitely the typeface I was searching for”: Nicholas Felton found Input to be the perfect choice for a hard-hitting presentation of raw data.

Input: fonts for code

Input is a flexible system of fonts designed specifically for code by David Jonathan Ross. It offers both monospaced and proportional fonts, all with a large range of widths, weights, and styles for rich code formatting.

Two New Sites:

Celebrating the work of David Berlow and showcasing the typefaces of Tobias Frere-Jones

Apres

A clear and comfortable typeface from David Berlow, with a humanist geometric design

One More Day for Text Display

The Font Bureau Showing at Lesley University ends April 19, 2014, at 5pm.

Custer RE

The tenth family in the Reading Edge series, by David Berlow: broad, approachable, exceptionally clear.

Mike Parker tribute

A tribute to Mike Parker, whom Matthew Carter calls “a most unforgettable person.” ➝ Fontbureau.com/MikeParker

Big Moore

Matthew Carter restores the authenticity of Isaac Moore’s 18th-century display face, in a design meant to be used, well, Big.