On the second day of the ATypI conference at the National Audiovisual Institute (NInA), a huge announcement overshadowed the rest of the proceedings. OpenType 1.8 now supports variable fonts, making this the biggest news in digital type…
DJR’s expansive revival of Novarese’s mid-century classic reimagines a near-forgotten gem for the modern typographer.
Most digital revivals of old metal fonts start with printed specimens. But Indra Kupferschmid, who led the research effort, suspected we might be able to get to the source.
The Italian type foundry Nebiolo of Turin was the biggest type and printing equipment manufacturer in Italy. It started in 1852 and thrived in the first half of the 20th century, but never made the transition to phototype. The foundry…
The development of Forma is an extraordinary story, and the question of who designed it is not as easy to answer as it is with other typefaces.
Turin-based Aldo Novarese was one of the most inspired type designers of the 20th century.
Sibylle Hagmann brings a beautifully crafted collection of contemporary typeface designs to Type Network—and a fresh approach to collaboration.
How Type Network evolved and why Occupant Fonts is a member.
Christian Schwartz expands his Fleischman-inspired family with a finessed set of styles for headlines.
Japanese type powerhouse seeks innovative Latin and Kanji faces for its 2016 contest.
Font Bureau’s move to exclusive retail distribution on Type Network is in keeping with its history as an independent type foundry collaborating with people passionate about type and design.