Paul van der Laan and Pieter van Rosmalen established their well-regarded independent foundry in 2008. After a successful decade in business, they’ve decided to broaden their reach by joining a constellation of kindred indies at Type Network.
At long last, the technology underlying the new Sophia CC and Mantinia CC matches the sophistication of their design.
Like many type designers, Mark Simonson has a treasure trove of typeface sketches tucked away in a drawer. Out of the more than sixteen hundred(!) in his collection, Acme Gothic and Parkside are the first to see the light of…
In a city where history and progress converge so profoundly, it’s fitting that two of our partners known for honoring typographic heritage—while always moving forward—are in the spotlight during ATypI’s Antwerp conference.
The temperature rises with posters for The King, Beach House, The First Purge, and Scotty and the Secret History of Hollywood. Then it reaches scorching highs with Hot Summer Nights; gradually drops with Hva vil folk si (What Will People…
Originally intended as a high-contrast companion for IvyJournal, Jan Maack’s IvyMode dropped its serifs and picked up its own name. Now it’s ready to vogue.
A number of early typefaces by Cyrus Highsmith have been out of circulation for a while. Now they make a triumphant return.