Paul van der Laan and Pieter van Rosmalen established their well-regarded independent foundry in 2008. After a successful decade in business, they’ve decided to broaden their reach by joining a constellation of kindred indies at Type Network.
Jesse Ragan breathes new life into a lost hand-painted alphabet by designer and illustrator Rudolph Ruzicka.
Lipton Letter Design’s latest release is a delicately flared all-purpose type family with an astonishing typographic scope.
Subsetting, long available to our Webtype customers, has always been in the cards for Type Network. Finally it’s here.
Inspired by the mountains of Italy, the streets of Finland, and the trailblazing era of American grotesques, Ludwig Übele delivers a tantalizing trio of types from Berlin.
The font subscription service formerly known as Typekit takes a giant leap forward, giving Creative Cloud users broad access to thousands of high-quality fonts from the TN family.
At long last, the technology underlying the new Sophia CC and Mantinia CC matches the sophistication of their design.
Like many type designers, Mark Simonson has a treasure trove of typeface sketches tucked away in a drawer. Out of the more than sixteen hundred(!) in his collection, Acme Gothic and Parkside are the first to see the light of…
In a city where history and progress converge so profoundly, it’s fitting that two of our partners known for honoring typographic heritage—while always moving forward—are in the spotlight during ATypI’s Antwerp conference.
The temperature rises with posters for The King, Beach House, The First Purge, and Scotty and the Secret History of Hollywood. Then it reaches scorching highs with Hot Summer Nights; gradually drops with Hva vil folk si (What Will People…